The
End
Is
Fast
But
Melodramatic
...
(of)
Rajshri
policy
of
making
films
with
a
positive
message,
films
which
uphold
the
high
values
of
life
and
morality.
-by
NN
Sinha
'Hum
Pyar
Tumhi
Se
Kar
Baithe'
of
Rajshri
Productions
has
Anup
Soni,
who
is
from
the
Delhi
stage,
and
Tina
Rana,
who
makes
a
screen
debut
via
ad-modelling-music-video
route.
For
Anup
Soni
it
hasn't
been
a
smooth
sail.
This
NSD-trained
theatre
actor
shifted
to
Mumbai
in
1994
driven
by
the
usual
dream
of
becoming
a
hero.
But
he
got
trapped
into
the
small
screen
and
did
his
best
to
get
out
of
it,
which
got
him
the
Screen
awrd
for
best
actor
for
his
role
in
Sea
Hawks.
A
bit
role
in
'God
Mother'
(with
Shabana
Azmi)
and
another
after
a
long
gap
in
'Fiza'
(with
Karisma
and
Hrithik)
did
not
take
him
far.
One
needs
a
godfather
in
the
industry
and
he
didn't
have
any.
Working
in
TV
had
brought
him
close
to
veterans
like
Sachin
Khadekar.
As
the
casting
for
the
new
Rajshri
film
was
on
and
Sachin
was
already
in
the
supporting
role
of
Tina
Raana's
uncle
as
well
as
Jugal
Hansraj's
father,
he
took
him
to
producer
Rajkumar
Barjatya
and
director
Mohan
Singh
Rathore.
The
character
of
Jai
is
negative
but
very
challenging.
In
fact,
he
plays
a
villain
with
positive
shades.
Thanks
to
the
Rajshri
break,
today
he
has
a
number
of
films
in
his
bag.
The
theme
of
Hum
Pyar
...
is
in
accordance
with
the
Rajshri
policy
of
making
films
with
a
positive
message,
films
which
uphold
the
high
values
of
life
and
morality.
The
theme
is
best
described
in
Anup's
own
words:
This
film
has
exposed
me
to
new
dimensions
of
acting,
which
are
incomparable.
The
message
it
gives
is
significant
and
beneficial
for
society.
We
all
have
strived
to
make
the
film
entertaining
for
the
family,
which
at
the
same
time
extols
the
values
and
cultural
traditions
which
bind
the
members
together.
'Hum
Pyar
...
'
is
wholly
the
director's
creation.
Mohan
Singh
Rathor
writes
the
screenplay
for
his
story
and
directs
it.
Virtually
unknown
in
Hindi
cinema,
Rathor
has,
however,
earned
the
epithet
of
'Manmohan
Desai
of
Rajasthani
cinema'.
Jugal
is
Vishwas
the
guide
for
tourists
who
visit
places
of
interest
in
Rajasthan.
He
meets
Tina
(Priya),
a
college
girl,
who
alongwith
her
friends
reaches
there
for
sight-seeing.
And
they
fall
in
love.
Priya
is
brought
up
by
her
parents'
friend
Sachin
after
a
fatal
accident
leaves
her
an
orphan.
He
has
a
son
in
Vishwas,
which
fact
is
known
neither
to
him
nor
to
the
bright
youth
who
has
made
a
mark
on
the
businessman.
Navni
Parihar
does
the
role
of
Khadekar's
wife
who
leaves
him
with
their
little
son.
She
had
disapproved
of
the
dishonest
means
he
had
adopted
for
becoming
rich.
Moving
at
a
slow
pace,
the
film
picks
up
in
the
second
half.
The
story
is
full
of
unexpected
turns.
Partly
action-filled,
it
maintains
an
emotional
level,
which
avoids
an
overplay
of
human
feelings.
Nevertheless,
the
end
turns
out
to
be
melodramatic.
Both
Jugal
Hansraj
and
Tina
have
done
well
portraying
their
respective
characters.
One
watches
with
a
pleasant
surprise
Tina's
ability
to
emote
naturally
even
as
she
projects
the
teenager,
innocent
and
full
of
zest
she
is
expected
to
delineate.
Laxminarayan's
cinematography
is
notable
for
conjuring
an
ambience
for
every
scene
and
bringing
out
the
best
in
every
face.
Raamlaxman
offers
a
couple
of
pleasing
numbers.